Janmashtami Retrato de casal especial.

Do not change either subject's facial bone structure, eye shape and 
color, nose shape, lip shape, jawline, or skin tone in any way — keep 
both 100% identical to the original photo. Body build and proportions 
unchanged for both individuals. Non-negotiable.

LIGHTING SETUP (as a real photographer would dial it in): Key light — 
warm diya/lamp light from a nearby festive setup, acting as a soft 
golden key from camera-left at chest height. Fill — soft ambient dusk 
light from above, gently balancing the warm key at close to a 2:1 
ratio. Rim light — string lights behind them create a soft golden 
edge-glow along both subjects' hair and shoulders. Catchlights in 
both sets of eyes should be warm and soft, reflecting the diya flames.

LENS & OPTICS: Simulate an 85mm lens at f/2.0 — flattering facial 
compression, background rendered as soft creamy bokeh with blurred 
marigold garlands, peacock feathers, and fairy lights, gentle fall-off 
in sharpness away from the focal point, faint natural vignette at the 
corners.

FILM/COLOR SCIENCE: Emulate a warm festive film response — diya-light 
highlights bloom softly rather than clipping, shadows lifted gently 
rather than crushed black, rich warm gold-peacock-blue midtones 
balancing naturally against both skin tones.

Style: Dress the woman in an elegant peacock-blue or yellow silk 
saree or lehenga with delicate gold jewelry (choker, jhumka earrings, 
maang tikka) and fresh flowers in softly styled hair; dress the man in 
a matching kurta-pajama or dhoti-kurta in a complementary peacock-blue 
or golden-yellow shade, with a simple gold chain and tilak. Background: 
a beautifully decorated Janmashtami setup with a Krishna idol/jhula 
(swing), peacock feathers, marigold garlands, and diyas, softly 
blurred.

COUPLE BIOMECHANICS (real physical interlock, not a generic pose): 
Standing close together near the decorated jhula, one partner's hand 
gently resting on the other's shoulder or waist at natural height, 
fingers relaxed rather than gripping. One of them holding a diya or 
offering flowers together, heads tilted naturally toward each other, 
weight leaning slightly inward as two real people standing close would.

EXPRESSION: A warm, devotional joy shared between them — soft eye 
contact with each other rather than the camera, gentle genuine smiles 
with eyes softly crinkled, shoulders relaxed and unguarded.

RETOUCH PIPELINE: Frequency-separation-style retouching — smooth 
tonal transitions on skin while fully preserving fine pore-level 
texture and natural color variation under the warm diya light. Subtle 
dodge-and-burn to retain natural facial planes for both subjects, no 
flattened or washed-out glow.

FINISHING: Fine film grain overlay at low opacity, very slight 
chromatic softness at the frame edges as a real lens would render, no 
digital sharpening halos, natural imperfect crop as if not perfectly 
composed in-camera.

Ensure zero facial distortion, anatomically correct hands with 
natural finger placement for both subjects, and consistent shadow/
light-source logic between the warm diya key and ambient dusk fill.

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