Portrait in the Gallery

Use the uploaded personal photo as the ONLY source of the subject’s identity. Preserve the person’s exact recognizable facial identity and natural facial structure, including face shape, forehead, eyebrows, eye shape, nose, lips, jawline, cheeks, chin, skin tone, hairline, and distinctive facial characteristics. Do not copy or resemble the woman in the reference image; she is only a visual reference for pose, expression, styling, composition, and scene. Do not beautify, redesign, feminize, masculinize, age, de-age, or otherwise alter the user’s identity. Ignore the original expression, gaze, head position, and pose in the uploaded personal photo and reconstruct those elements from the reference.
Recreate the reference as a highly realistic vertical editorial photograph inside a sophisticated modern art gallery. The subject stands in the foreground slightly left of center, positioned directly in front of a very large framed portrait painting mounted on a clean white gallery wall. The subject is shown from approximately mid-thigh upward, with the body in a relaxed three-quarter orientation while the torso remains mostly facing the camera. Her shoulders are naturally angled, posture upright and elegant, with one arm hanging naturally downward along the body and the other arm positioned close to the torso. Reproduce the same subtle body curve, hip placement, shoulder position, arm placement, and overall poised stance visible in the reference. Keep the subject relatively close to the camera while allowing the entire large painting behind her to remain clearly visible.
Reproduce the reference facial behavior precisely: calm, serious, sophisticated, slightly enigmatic expression with relaxed facial muscles, closed natural lips with a subtle defined lip shape, softly focused eyes, and a composed editorial mood. The eyes should look slightly toward the camera/front with the same direction of attention as the reference, not toward the viewer’s uploaded-photo gaze. Match the reference eyelid openness, eyebrow position, mouth position, facial tension, and emotional intensity. Keep the user’s identity completely unchanged while applying this expression. Reproduce the reference head orientation and slight head positioning exactly, including the subtle angle of the chin and neck.
Hair should follow the reference styling while remaining compatible with the user’s identity: dark, voluminous, shoulder-length to medium-length wavy hair with soft loose waves, a natural side/center-parted appearance, smooth crown, gentle volume around the face, and loose strands framing the cheeks. Do not use the reference woman’s facial features or identity.
Dress the subject in an elegant fitted black long-sleeve outfit with a deep V neckline and a refined, minimal silhouette. The clothing should be predominantly matte black, form-fitting through the upper body and waist, with long sleeves and a subtle black belt or waist detail with a small metallic buckle. Add delicate silver jewelry matching the reference: small curved silver hoop/drop earrings and a thin necklace with a tiny pendant resting near the upper chest. Keep accessories understated and elegant.
The dominant background element is a large vertically oriented classical-style portrait painting in a thin warm wooden frame. The painting depicts a glamorous woman with dark voluminous hair, strong eyebrows, large expressive eyes, defined nose and lips, wearing dark clothing. The painting should look like an original hand-painted fine-art portrait rather than a printed photograph, with visible expressive brushstrokes, layered painterly texture, muted beige, cream, gray, brown, dusty blue, and dark charcoal tones. The painted face occupies much of the upper-middle canvas and is positioned directly behind the foreground subject. The foreground subject partially overlaps the lower-left/central portion of the painting, creating the same visual relationship as the reference. Do not reproduce the painted woman as the user’s identity; the painting is an independent artwork.
The gallery should have clean white/off-white walls with subtle architectural panel lines and a minimalist museum interior. The large painting is mounted at approximately eye level, with its bottom edge around the subject’s upper-to-mid thigh region. The polished light-colored floor should be visible along the bottom of the frame and contain a soft, slightly blurred reflection of the room and subject. Keep the gallery spacious, uncluttered, quiet, luxurious, and contemporary.
Lighting is a major feature: reproduce the soft museum lighting with a strong diffused overhead/ceiling spotlight falling onto the upper portion of the painting and wall, creating a visible cone of pale illumination above the artwork. Add soft ambient gallery lighting around the subject, gentle highlights along the hair and face, subtle shadowing beneath the chin and clothing folds, and realistic reflected light from the pale walls and polished floor. Avoid harsh flash, dramatic colored lighting, excessive contrast, or artificial HDR.
Camera perspective should closely match the reference: vertical portrait orientation, approximately 4:5 aspect ratio, eye-level camera positioned several feet in front of the subject, medium-full framing from around mid-thigh upward, natural perspective with mild compression similar to an approximately 50–70mm full-frame lens. Keep the large painting fully readable behind the subject without making the background excessively wide. The subject should remain the primary photographic focus while the painting remains highly recognizable and detailed. Use realistic depth of field: the foreground subject is sharp and detailed, while the distant gallery environment and portions of the painting are slightly softer but still clearly visible. Preserve realistic proportions without wide-angle distortion.
Match the reference composition precisely: large painting centered in the background, foreground subject overlapping its lower-left/central area, substantial white wall space surrounding the artwork, overhead light beam entering from the top, polished floor visible at the bottom, and subject occupying roughly the lower-middle portion of the frame. Maintain the same visual balance, scale relationships, camera height, perspective, cropping, and negative space.
Photorealistic high-end fashion/editorial photography combined with authentic fine-art museum aesthetics. Natural skin texture, realistic pores, individual hair strands, physically accurate fabric folds, realistic jewelry reflections, accurate shadows, subtle floor reflections, cinematic tonal range, soft film-like rendering, refined neutral color grading, and exceptionally realistic lighting. No cartoon appearance, no plastic skin, no artificial facial reconstruction, no identity drift, no face replacement from the reference, no exaggerated makeup, no extra people, no text, no logos, no watermark, no distorted hands or anatomy. The final image must look like an authentic photograph of the person from the uploaded photo standing in a modern art gallery in front of their own large portrait painting, while preserving the user’s exact identity and transferring only the reference scene, expression, gaze, pose, styling, composition, lighting, and atmosphere.

Copy the complete prompt and use your own reference photos where requested.