"Autumn Park Bench Editorial Portrait"

Edit this photo. Keep the subject's exact facial bone structure, eye 
shape and color, nose shape, lip shape, jawline, and skin tone 100% 
identical to the original photo. Body build and proportions unchanged. 
This is non-negotiable.

LIGHTING SETUP (as a real photographer would dial it in): Key light — 
soft overcast autumn daylight acting as a giant natural softbox from 
directly above, even and diffused. Fill — warm bounced light from 
fallen orange/yellow leaves on the ground, subtly lifting shadows 
under her chin and eyes with a faint warm tint. Rim light — a low 
gap in the clouds lets a soft warm glow graze her hair from behind. 
Catchlights in her eyes should be broad and soft, reflecting the 
overcast sky.

LENS & OPTICS: Simulate an 85mm lens at f/2.0 — flattering facial 
compression, background rendered as soft creamy bokeh with blurred 
autumn foliage in orange, yellow, and rust tones, gentle fall-off in 
sharpness away from the focal point, faint natural vignette at the 
corners.

FILM/COLOR SCIENCE: Emulate a warm autumn film response — soft 
highlight rolloff, gently lifted shadows rather than crushed black, 
rich warm amber-rust midtones from the foliage balancing naturally 
against her skin tone, slightly muted overall saturation for a 
timeless feel.

DIRECTED POSE (as if a photographer is instructing her in real time): 
Sitting on a park bench with one leg tucked slightly under the other, 
body angled at three-quarters to the camera, one hand resting on the 
bench beside her, head turned toward the lens with a relaxed tilt.

GENUINE DIRECTED EXPRESSION: A soft, content smile with gently 
relaxed eyes, chin very slightly lowered — the natural look right 
after a photographer says "just get comfortable and look over at me," 
not a stiff posed grin.

RETOUCH PIPELINE: Frequency-separation-style retouching — smooth 
tonal transitions on skin while fully preserving fine pore-level 
texture and natural color variation under the soft overcast light. 
Subtle dodge-and-burn to retain natural facial planes, no flattened 
or washed-out glow.

FINISHING: Fine film grain overlay at low opacity, very slight 
chromatic softness at the frame edges as a real lens would render, no 
digital sharpening halos, natural imperfect crop as if not perfectly 
composed in-camera.

Ensure zero facial distortion, correct hand anatomy, and consistent 
shadow direction matching the soft overcast key light.

Copy the complete prompt and use your own reference photos where requested.